双城记英文语录

详细内容

篇一:《《双城记》名言警句双语》

这是我一生中最乐意做的事这里是我最好的安息之所Itisafar,farbetterthingthatIdothanIhaveeverdone;itisafar,farbetterrestthatIgotothanIhaveeverknown.

Iloveyounotbecauseofwhoyouare,butbecauseofwhoIamwhenIamwithyou.我爱你，不是因为你是一个怎样的人，而是因为我喜欢与你在一起时的感觉。

Nomanorwomanisworthyourtears,andtheonewhois,won‘tmakeyoucry.没有人值得你流泪，值得让你这么做的人不会让你哭泣。

Theworstwaytomisssomeoneistobesittingrightbesidethemknowingyoucan‘thavethem.失去某人，最糟糕的莫过于，他近在身旁，却犹如远在天边。

Neverfrown,evenwhenyouaresad,becauseyouneverknowwhoisfallinginlovewithyoursmile.纵然伤心，也不要愁眉不展，因为你不知是谁会爱上你的笑容。

Totheworldyoumaybeoneperson,buttoonepersonyoumaybetheworld.

对于世界而言，你是一个人；但是对于某个人，你是他的整个世界。

Don‘twasteyourtimeonaman/woman,whoisn‘twillingtowastetheirtimeonyou.不要为那些不愿在你身上花费时间的人而浪费你的时间。

Justbecausesomeonedoesn‘tloveyouthewayyouwantthemto,doesn‘tmeantheydon‘tloveyouwithalltheyhave.爱你的人如果没有按你所希望的方式来爱你，那并不代表他们没有全心全意地爱你。

Don‘ttrysohard,thebestthingsewhenyouleastexpectthemto.不要着急，最好的总会在最不经意的时候出现。

MaybeGodwantsustomeetafewwrongpeoplebeforemeetingtherightone,sothatwhenwefinallymeettheperson,wewillknowhowtobegrateful.在遇到梦中人之前，上天也许会安排我们先遇到别的人；在我们终于遇见心仪的人时，便应当心存感激。

Don‘tcrybecauseitisover,smilebecauseithappened.不要因为结束而哭泣，微笑吧，为你的曾经拥有。

Ifyoulovesomeone，letitbeandsethim/herfree，ifhe/sheesbacktoyou，it"smeanttobe.如果你爱一个人，随遇而安，让他/她自由的飞，如果最后他/她还是回到你身边，那就是命中注定的。

Aheartwellworthwinning,andwellwon.Aheartthat,oncewon,goesthroughfireandwaterforthewinner,andneverchanges,andisneverdaunted.值得去赢得和被赢得是这样一颗心：这颗心一旦赢得，可上刀山，可下火海，永远不变，无所畏惧。

Thewholedifferencebetweenconstructionandcreationisexactlythis:thatathingconstructedcanonlybelovedafteritisconstructed;butathingcreatedislovedbeforeitexists.准确地说，建设性和创造性之间的区别是这样：建造的事物只能建好后被人所爱；而创造的事物尚未问世就受人喜爱。

ToconcealanythingfromthosetowhomIamattached,isnotinmynature.IcanneverclosemylipswhereIhaveopenedmyheart.对所爱的人隐瞒任何事情，都不是我的本性。既然我的心房都已经打开，嘴巴就不能关上。

Nooneisuselessintheworldwholightenstheburdenofitforanyoneelse.在世界上为他人减轻负担，任何人都有所作为。

Therearebooksofwhichthebacksandcoversarebyfarthebestparts.有些书，其封底和封面是最为精华之部分。{双城记英文语录}.

Lifeismadeofeversomanypartingsweldedtogether.分离许许多多的结合，就构成了生活。

Therearedarkshadowsontheearth,butitslightsarestrongerinthecontrast.世界有阴影，但亮光在对比下显得更强。

Homeisaname,aword,itisastrongone;strongerthanmagicianeverspoke,orspiriteveransweredto,inthestrongestconjuration.家是一个名字，一个非常强大的字眼。它比最为强大的魔法中，巫师说过，神灵回答过的字眼，都更加强大。

Therearestringsinthehumanheartthathadbetternotbevibrated.

人内心有心弦，但最好不要颤动。

Adaywastedonothersisnotwastedonone'sself.在别人身上浪费一日，并非在自己身上浪费一天。

篇二:《英狄更斯《双城记》的开头名言》

狄更斯在<<双城记>>的名言是什么

这是最好的时代，也是最坏的时代；这是智慧的年代，也是愚蠢的年代；这是信仰的时期，也是怀疑的时期；这是光明的季节，也是黑暗的季节；这是希望的春天，也是失望的冬天；大伙儿面前应有尽有，大伙儿面前一无所有；大伙儿正在直登天堂；大伙儿正在直落地狱。

Itwasthebestoftimes,itwastheworstoftimes,itwast

heageofwisdom,itwastheageoffoolishness,itwasth

eepochofbelief,itwastheepochofincredulity,itwasth

eseasonofLight,itwastheseasonofDarkness,itwast

hespringofhope,itwasthewinterofdespair,wehadev

erythingbeforeus,wehadnothingbeforeus,wewereall

goingdirecttoHeaven,wewereallgoingdirecttheother

way。

篇三:《双城记_赏析_英文》

AppreciationofAtaleoftwocities

AtaleoftwocitiesisoneofDickens’mostimportantworks.CharlesDickensisanoutstandingEnglishwriter.Hecreatedsomeofliterature'smosticoniharacters,withthethemeofsocialreformrunningthroughouthiswork.Thecontinuingpopularityofhisnovelsandshortstoriesissuchthattheyhavenevergoneoutofprint.Hiswritingstyleisfloridandpoetic,withastrongictouch.Dickens'snovelswere,amongotherthings,worksofsocialmentary.HewasafiercecriticofthepovertyandsocialstratificationofVictoriansociety.Hisliterarystyleisalsoamixtureoffantasyandrealism.

1.Fullofromanticelementsinthesuspensenovel---ATaleofTwoCities

1.1StrongromanticelementsinDickens’novelItisgenerallyregardedDickensasarealist,butnotaromanticwriter.However,FrenchhistorianKazhathinksthatDickensisessentiallyaromantic,heclassifiedDickensandtheBrontesistersasaromanticwriter,toThackeraycalledrealists.HisargumentonthelaterresearchonDickensisveryenlightening.Britishnovelist,GeeGissingandJesterDaytonfoundtheromanticisminDickens’creations,GisssingthinkthatDickensandShakespeare,arethesupremeidealist,heevendirectlycalledDickensa"romanticrealism"[1];JesterDaytonthatshapedthecharactersofDickensisnotapersonlike"God",hecalledEnglandDickens,"thelastmythofwriters,perhapsthegreatestmythofwriters"[2].ModernBritishpoetT.S.Eliotsaidthat"Dickens'scharactersandthecharactersDanteandShakespeare,like,allbelongtothescopeofpoetry"[2].Indeed,thespiritofidealismtotheromanticwayDickenscanneverexclude.Inhiswork,romanticloveisoftendescribed;thestruggleofgoodoverevilisromantic;figureofjoysandsorrowsoflifeanddeathisoftenromanticparting.Specifictothe"TaleofTwoCities,"thenovel,CarltonandProsspleteoftheirnobleactsareontheveryromantic,evenwhenCruncherfrombadtogoodarealsoveryimpassioned,romanticandexcitingatmosphere.ATaleofTwoCitiesisatruereflectionofthetimesthatallkindsofconflictanddiscord,quirks,depression,vitality

andtheirunusualwealth.AlthoughthedetailsofCharlesDickensdescribedunique,thecharacterssharpanddetailedobservationoftheexternalcharacteristics,hemaybedescribedasa"realist"isnotappropriate.{双城记英文语录}.

1.2AsuspensenovelwithwonderfulstoryDickensisgoodatcreatingsuspense..ATaleofTwoCitiesisparticularlysuessfulindramatizedtheplightofindividualswithpersonalityconflictsbyagoodstructureandthetenseatmosphereinthesocialhistoricalbackground.Atthebeginning,thewriterdidn’ttellusthereasonwhyDt.Mateasaprisonfor18years.WhenCharlesDarnayasktoDr.MatethathewanttomarryLucie,Mateseemedtobeawareofwhatcauseforalarm,againandagaintostopDarnay,askedhimtorepeatthemorningofthemarriage;thesameevening,Mateagainfallill,thespiritofitLostinthedaysoftheBastille.Evenwonderedforamomentthereader,however,notbeexplainedDickens.Readerscannothelpasking:whatisthelinkofDarnay'slifeexperienceandMate?Untiltheendofthebook,peopleknowsthelinkofDamayandMate.Byuseofsuspense,DickensmaketheMateasapersonwhoseethebrightsideofhumannature,andbringawonderfulstoryandthebeautyofworksofartforreaders.2.Thebenevolencespiritandinthenovel.

2.1ThejustificationoftherevolutionATaleofTwoCities"waswritteninthe19thcentury50's,aperiodofrapideconomicdevelopmentofcapitalism.Thecapitalistdevelopmentbringsevilsandimpoverishmentofworkingpeople'slivesleadtheBritishsocietytotheedgeoftheoutbreakofasocialrevolution.Asearlyas30~40yearsin19c,theworkingclasstofightforpoliticalrights,onagrandscaleacrossthecountrylauncheda"chartermovement."WhichLenincalledastheworld'sfirstbroad,trulymass,political,proletarianrevolutionarymovement[3]AndthismakesDickensclearlyawareofthe50'sBritainand18thcenturyFrenchsocietyisverysimilar.Forthisreason,hedecidedtocreateanovelsetintheFrenchRevolutiontoCriticizetheBritishsocialreality,provideareferenceforthecontemporaryEnglish,itisthebackgroundthatthenovel"TaleofTwoCities"in1859eout."TaleofTwoCities"isahistoricalthemeofthenovel,butDickens's

focusisfirmlytargetedatthereallife.Worksofthelate19thcenturyFrenchandBritishsociallife,extensivedescriptionsoftheFrenchRevolutionbrokeouttoexploretherootcausesaretotheFrenchRevolution'svarioussocialcrisisandtherealityofBritishsocietytogether,inanancientmetaphorforthemodernuseofway,warnedtheBritishrulersofthebourgeoisie:thecruelexploitationandoppression,thepeople'sextremepovertyistherootoftherevolution,ifnotalleviatethesufferingofthecivilianpopulation,thenthecurrentoutbreakofrevolutioninBritainisinevitable.NovelstosocialconflictsbeforetheFrenchRevolutionshowsverydetailedandreal,whetherincitiesorinruralareas",hungerrampanteverywhere",themajorityofthepeopleto"mulberrygrass"forthefood,whiletheupperclassisextravagant,bullyPawomen,amongthecountrydonotsee"afacewithanyrespect,"unbearableoppression,thepeoplearereadyto"hangwitharopeandpulleytotheenemy."In1859,CharlesDickensOnthe"TaleofTwoCities"creativeexperience,said:"Ispentalotoftimeandefforttocreate"TaleofTwoCities",afternumerouschanges,finallysatisfied.Abletorepaymycreationyoureffortinanywayanymoneyandotherthings,butthenovel'sthemeofthemeaningandthejoyofcreationisplete."[4]Indeed,thedeepthinkingofthisforDickens,regardlessoftheirhistoricalsignificancerevealedandsocialsignificance,orpossessitsownaestheticvaluesareworthydescendantsminingandexploration.

2.2FivenessThoughtandthebenevolencespirit"ATaleofTwoCities"isacontroversialnovel,thelowerrevolutionaryimageMadameDefargeofthenovelimpactassessmentisanimportantfactor.LiangShiqiusaid:"Dickensreadthecarddependsonwhichofthe"FrenchRevolution",wasdeeplymovedanddeterminedtotrytowriteahistoryoftheRomans.Karayandsenttwocarsforhisreferencebook,butmostarenotCharlesDickensCanadausedbecausehedidnotwanttowritethehistoryoftherevolutionhavebeenCareyandthebeststructureintheformer,nottowritethenecessary,aslongashecapturestheatmosphereofthatera,withastorytoillustratethebloodshedwillonlyleadtomorebloodshed,onlylovecansavetheheartsofcatastrophe."[5]Thisisinsightful.DickensistheFrenchRevolutionastheonlycarriertoreflectthesharpclassantagonismsandintenseclassstruggle,asreflectedinthisclassantagonismandclassstrugglehasshownawide

rangeofpeopleandhumannature,theexpressionofspecificeventsthatgoesbeyondandhasamoregeneralsenseofthings.DickensinthenovelshapedthewayLucie,Mate,DarnayandCarltontheidealofhumanitariancharacter,inthattheyembodiedakindofhumanityasthecoreoftheChristmasspirit.BestembodiesthespiritofthislovetobepartoftheBritishlawyerCarlton,purelyforlove,hisunconditionalpracticethe"Iwantforyouandyourlovedonesandmakeallthesacrifices"ofthepromise,helpLucie'shusbandescapetheprisontoarrangearoadawayfromthedanger,whilehereplaceDarnayontheguillotine.TheLordsaid:Iamtheresurrection,lifeisinme;believesinme,thoughdead,yethewilllive;whoeverlivesandbelievesinmewillneverdie.“intendedtoemphasizethespiritofCarlton'sbenevolenceandaltruismworldforever.

Conclusion

ATaleofTwoCitiesbyCharlesDickensshowseffectivelythenovelist’saimtopointouttheinjusticeofoppressionandthejustificationoftherevolution.However,DickensshowshisstrongcriticismontheexcessofbloodshedduringtheFrenchRevolution,especiallyinhisconsiderationoftheinnocent(likeCharlesDarnay)beingpunishedalongwiththeguilty.Hefeelsthattheoldwaysofoppressionmustbechanged,andthatmuchoppressionandmuchmiseryinevitablyleadtorevolution,butwhentherevolutionactuallyes,hethinksthatitistooviolentandthatthelessbloodshedthebetter.Thechiefandthebestportrayedfigureisthebenevolencespirittheleaderoftherevolution.

AppreciationofAtaleoftwocities

Class:Englishone

Na

篇四:《双城记开头翻译对于》

Itwasthebestoftimes,itwastheworstoftimes,itwastheageofwisdom,itwastheageoffoolishness,itwastheepochofbelief,itwastheepochofincredulity,itwastheseasonofLight,itwastheseasonofDarkness,itwasthespringofhope,itwasthewinterofdespair,wehadeverythingbeforeus,wehadnothingbeforeus,wewereallgoingdirecttoHeaven,wewereallgoingdirecttheotherway--inshort,theperiodwassofarlikethepresentperiod,thatsomeofitsnoisiestauthoritiesinsistedonitsbeingreceived,foodorforevil,inthesuperlativedegreeofparisononly.

——ATaleofTwoCitiesCharlesDickens

中国对外翻译（宋兆霖译文）

那是最美好的时代，那是最糟糕的时代；那是个睿智的年月，那是个蒙昧的年月；那是信心百倍的时期，那是疑虑重重的时期；那是阳光普照的季节，那是黑暗笼罩的季节；那是充满希望的春天，那是让人绝望的冬天；我们面前无所不有，我们面前一无所有；我们大家都在直升天堂，我们大家都在直下地狱——简而言之，那个时代和当今这个时代是如此相似，因而一些吵嚷不休的权威们也坚持认为，不管它是好是坏，都只能用“最„„”来评价它。

译林（孙法理译文）

那是最美好的时代，那是最糟糕的时代；那是智慧的年头，那是愚昧的年头；那是信仰的时期，那是怀疑的时期；那是光明的季节，那是黑暗的季节；那是希望的春天，那是失望的冬天；我们拥有一切，我们一无所有；我们全都在直奔天堂，我们全都在直奔相反的方向一一简而言之，那时跟现在非常相像，某些最喧嚣的权威坚持要用形容词的最高级来形容它。说它好，是最高级的；说它不好，也是最高级的。

人民文学（石永礼、赵文娟译文）

那是最好的年月，那是最坏的年月，那是智慧的时代，那是愚蠢的时代，那是信仰的新纪元，那是怀疑的新纪元，那是光明的季节，那是黑暗的季节，那是希望的春天，那是绝望的冬天，我们将拥有一切，我们将一无所有，我们直接上天堂，我们直接下地狱——简言之，那个时代跟现代十分相似，甚至当年有些大发议论的权威人士都坚持认为，无论说那一时代好也罢，坏也罢，只有用最高比较级，才能接受。

上海译文（张玲、张扬译文）{双城记英文语录}.

那是最昌明的时世，那是最衰微的时世；那是睿智开化的岁月，那是混沌蒙昧的岁月；那是信仰笃诚的年代，那是疑云重重的年代；那是阳光灿烂的季节，那是长夜晦暗的季节；那是欣欣向荣的春天，那是死气沉沉的冬天；我们眼前无所不有，我们眼前一无所有；我们都径直奔向天堂，我们都径直奔向另一条路——简而言之，那个时代同现今这个时代竟然如此惟妙惟肖，就连它那叫嚷得最凶的权威人士当中，有些也坚持认为，不管它是好是坏，都只能用“最”字来表示它的程度。

篇五:《双城记英文梗概》

In1757,youngdoctorMatewassuddenlyforcedtovisitapatientbyMarquisSt.Evremondebrotherswhenhewaswalking.IntheMarquismansion,hewitnessedthedeathsofacrazypeasantwomanandateenager.AndhewasinformedtheinsidestorythatforamomentofhappinessMarquisBrotherskilledthefamily.Herefusedthebriberyandwrotealettertothecourttoausethem.Unexpectedly,thedefendantgottheletterandDr.MatewassenttotheBastille---oneofthemostterribleprisonsintheworld,bythenobleMarquisSt.Evremonde.Twoyearslater,hiswifediedofsadnessandhisdaughterLouciewasreceivedbyhisfriendinLondon.18yearslater,hewasreleasedandLuciecametopickhimuptoLondontolive.Andontheway,theyencounteredyouthCharlesDarnayandgothisattentivecare.CharlesDarnaywasthenephewoftheMarquisSt.Evremonde,whoabandonedthenobledegreetolivebyhimself.Intheprocessofgettingalong,hefellinlovewithLuciesincerely.

Forhisdaughter’shappiness,Martedecidedtoletthepastbepastandagreetotheirmarriage.In1789,therevolutionofFrancebroke,andnoblesweresenttodeath.InordertorescuehishousekeeperhereturnedbacktoFrenchinarisk.Assoonashegot,hewasarrested.Marteandhisdaughterarrivedafterhearingthisnews.DuetoMarte’stestimony,Darnaywasreleased.Butjustseveralhourslater,hewasarrestedagain.Incourt,abloodyletterwaspresentedthatwaswrittenbyMartewhen{双城记英文语录}.

hewasinprisontocurseDarnay’sfamily.FinallyDarnaywassentencedtobedead.

Justthen,SydneyCarton,alawyerassistant,whohadbeensecretlyinlovewithLoucie,cametoParis.Hebribedthejailer,enteredprisonandreplacedDarnay.Marte,Darbay

suessfully.ButSydeneydied.andLoucieescapedFrench

篇六:《狄更斯双城记名言》

狄更斯《双城记》经典名言

Iloveyounotbecauseofwhoyouare,butbecauseofwhoIamwhenIamwithyou.

我爱你，不是因为你是一个怎样的人，而是因为我喜欢与你在一起时的感觉。

Nomanorwomanisworthyourtears,andtheonewhois,won‘tmakeyoucry.

没有人值得你流泪，值得让你这么做的人不会让你哭泣。

Theworstwaytomisssomeoneistobesittingrightbesidethemknowingyoucan‘thavethem.

失去某人，最糟糕的莫过于，他近在身旁，却犹如远在天边。

Neverfrown,evenwhenyouaresad,becauseyouneverknowwhoisfallinginlovewithyoursmile.

纵然伤心，也不要愁眉不展，因为你不知是谁会爱上你的笑容。

Totheworldyoumaybeoneperson,buttoonepersonyoumaybetheworld.{双城记英文语录}.

对于世界而言，你是一个人；但是对于某个人，你是他的整个世界。{双城记英文语录}.

Don‘twasteyourtimeonaman/woman,whoisn‘twillingtowastetheirtimeonyou.

不要为那些不愿在你身上花费时间的人而浪费你的时间。

Justbecausesomeonedoesn‘tloveyouthewayyouwantthemto,doesn‘tmeantheydon‘tloveyouwithalltheyhave.

爱你的人如果没有按你所希望的方式来爱你，那并不代表他们没有全心全意地爱你。

Don‘ttrysohard,thebestthingsewhenyouleastexpectthemto.

不要着急，最好的总会在最不经意的时候出现。

MaybeGodwantsustomeetafewwrongpeoplebeforemeetingtherightone,sothatwhenwefinallymeettheperson,wewillknowhowtobegrateful.

在遇到梦中人之前，上天也许会安排我们先遇到别的人；在我们终于遇见心仪的人时，便应当心存感激。

Don‘tcrybecauseitisover,smilebecauseithappened.

不要因为结束而哭泣，微笑吧，为你的曾经拥有。

Ifyoulovesomeone，letitbeandsethim／herfree，ifhe／sheesbacktoyou，it"smeanttobe.

如果你爱一个人，随遇而安，让他／她自由的飞，如果最后他／她还是回到你身边，那就是命中注定的。

这是最好的时代，也是最坏的时代；这是智慧的年代，也是愚蠢的年代；这是信仰的时期，也是怀疑的时期；这是光明的季节，也是黑暗的季节；这是希望的春天，也是失望的冬天；大伙儿面前应有尽有，大伙儿面前一无所有；